A few weeks back when I was wracking my brains for inspiration for my first re-attempt at the whole blogging thing, I drafted up a relatively self-righteous ranty post about how I had been getting hold of music for a long time, and what I thought was the main points the ‘industry’ was missing. After about four re-writes I canned it and that, I thought, was that.
Then along came Spotify.
First a bit of background (sorry history is the standard filler out there, even if we were warned against using it in our scientific essays…): Most people know my past thoughts on buying music in CD format – suffice it to say that I have a large iTunes library and own three physical CDs. I refused to pay for music with DRM included. I won’t be told what I can and can’t do with my media. If I want to copy it for a friend then I will. I actually get the reason that piracy has the music industry shit-scared, but that doesn’t mean that for a second I condone how they have gone about ‘protecting’ their copyrights. Therefore, in lieu of real alternatives, less conventional methods were employed for getting hold of my music.
I never really wanted to buy something like music without sampling first. I have no one taste in a genre, and so I can’t say that I will like everything by, say, R.E.M. and everything by their similar artists. To this end I usually tried to use the radio (whenever I listened to that – not really going to be a constant source of new music then..), hearing and tagging with Shazam or googling a line I remembered, and then getting the album which that track was on. My interest in David Bowie was sparked by hearing ‘Changes’ on the radio and then pulling down a copy of the Greatest Hits.
This worked up to a point, but there was no real way of sampling an entire album fully before paying for it. Last.fm worked up to a point when they introduced the ability to listen to full tracks, but they didn’t all of what I wanted. Recently I have come across Spotify, and was invited by @alexmuller. Finally I have somewhere to go to where I can search for a track, legally play it in full, and indeed play entire albums in full before I pay for them. There is the odd advert (oddly enough they all seem to be somehow related to the UK Government so far), which pays for my access to the content, and I am more than happy with that. They are not intrusive and I am happy with their presence. Of course I ignore every word between the beginning and the end, but then having been bombared with advertising on almost every entertainment vessel since I was born (God save the BBC and the licence fee I suppose, for the little respite it provides) I am pretty accustomed to that.
Once I am happy I like something, I can simply head over to Amazon MP3 (now my full time port of call for buying music), and within a few minutes (or hours depending on if I am connecting via LSOXS or not) I have my tracks in my library, importantly, in a format I can do whatever I like with. Regardless of the talk that MP3 is still copyrighted etc, the format is ubiquitous and has been the format of choice since day one. Maybe I will eat my words when I have a library full of music in a defunct format in a few years, but I think it will likely be a cold day in hell before that happens.
So I am finally happy. By now you have probably figured that is something I tend to admit to relatively infrequently. I can get my music in a way that is a) legal, b) convenient, and c) exactly how I always thought I should be able to. There is an R.E.M. album (Document, for those interested) sat in my Amazon basket along with some Kinks songs about to be purchased. The artist will get their very meagre cut from my payment, and I won’t get sued, arrested, black-bagged or any other form of financial/physical torture for enjoying it.
This has not been a comprehensive rundown of Spotify. Adam tested it a little more intensively, and seems to be using it in almost the same fashion as I am. Great minds think alike I suppose. Night all.
I am a big fan of the music social networking site Last.fm (find my profile 